Pages: 15-38 | DOI: https://doi.org/10.55086/sp2631538

The emergence of the Early Scythian culture in the North Caucasus led to an epochal shift in cultural codes. In the second half of the 7th century BC, new ceramic forms and decorative motifs featuring deer imagery — reflecting the distinct influence of the Scythian “animal style” — appeared across several sites in Central Ciscaucasia. However, these local representations took on a novel ideological context. Concentrated within a relatively compact geographical area, these deer images are found on mugs, jugs, and pitchers recovered from Scythian burial mounds, Koban culture cemeteries, and settlements, spanning the 7th to 4th centuries BC.
All known ornamental compositions from the Scythian era featuring ceramic deer motifs can be categorized into three thematic groups: 1) a procession of deer; 2) heraldically arranged animals; 3) a deer with bent legs as part of an ornamental frieze. These compositions are believed to illustrate the cycle of life, concepts related to the Tree of Life, and magical agricultural cults.
Notably, a known instance of a deer procession on pottery dating to the final centuries BC allows us to trace the enduring continuity of this iconographic tradition across successive historical periods in Central Ciscaucasia.

Keywords: deer image, Scythian culture, Koban culture, ceramic

Information about authors:

Vladimir Maslov (Moscow, Russian Federation). Candidate of Historical Sciences. Institute of Archaeology of the Russian Academy of Sciences. Dmitry Ulyanov St., 19, Moscow, 117036, Russian Federation
E-mail: [email protected]
ORCID: 0000-0002-4910-8317

Konstantin Kolesnichenko (Stavropol, Russian Federation). Research Organization “Sevkavarcheologiya” LLC.  Kulakov Ave., 8, Stavropol, 355000, Stavropol Krai, Russian Federation
E-mail: [email protected]
ORCID: 0009-0005-2130-9175